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Indigenous music learning in contemporary contexts

Nurturing learner identity, agency, and passion

Bibliographic Data

ID21684508
AuthorsJames Isabirye (0000-0003-3007-3094, Kyambogo University, Uganda, corresponding author)
Year2021
Volume43
Issue2
Pages239-258
Publication date2021-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueResearch Studies in Music Education (JOURNAL)
Journal identifiersISSN: 1321-103X • E-ISSN: 1834-5530
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/1321103x20954548
OpenAlexW3131705077
LanguageEN
Citations received6
References cited38

I studied the revival project that involved teaching and (re)learning of a nearly extinct music tradition of the Basoga people from Uganda, to find out what might be learnt about and from those learning processes, and insights that might be applicable in formal educational settings. The revival project activities were documented (with participants’ permission) and publicized through a large number of audio and audiovisual recordings, photographs, and reports from community and school settings. Treating this documentation as extant data, I engaged in a qualitative analysis of the social and musical interactions between and among the two surviving master musicians and the youths to understand the nature and meaning of these learning experiences. Emergent themes reflected that nurturing identity, agency, and joy-filled passion among the learners were the main contributing factors that facilitated a successful transfer of knowledge and skills from the elderly master musicians to multitudes of youths

Aesthetics · Art · Documentation · Indigenous · Music education · Musical · Passion · Pedagogy · Qualitative research · Social science · Sociology · Visual arts · Diverse Music Education Insights · Diverse Musicological Studies · Neuroscience and Music Perception · Psychology · Social Psychology

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Unique citing works6
Citations per year1
Citation span2020 - 2025 (6)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 6

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