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‘Take a back seat’

White music teachers engaging Hip-Hop in the classroom

Bibliographic Data

ID21684655
AuthorsAdam John Kruse (0000-0002-3967-0752, University of Illinois at Urbana–Champaign, USA, corresponding author)
Year2020
Volume42
Issue2
Pages143-159
Publication date2020-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueResearch Studies in Music Education (JOURNAL)
Journal identifiersISSN: 1321-103X • E-ISSN: 1834-5530
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/1321103x19899174
OpenAlexW3022383210
LanguageEN
Citations received10
References cited38

With the purpose of exploring how engaging with Hip-Hop might contribute toward decentering Whiteness in US music education, this research aims to understand the perceptions of three White music educators in the United States teaching Hip-Hop in their classrooms comprising majority students of color. The study explores participants’ past experiences with Hip-Hop, their current teaching practices, and the influence that teaching Hip-Hop has had on their role in the classroom. I also engage in critical self-reflection in order to name and disrupt my own White fragility that emerged during the process of conducting the study and writing this article. Analysis reveals that engaging with Hip-Hop does not inherently contribute to decentering Whiteness, and considerations suggest more intentional and explicit work toward these ends

Critical reflection · Pedagogy · Perception · Sociology · Critical Race Theory in Education · Diverse Music Education Insights · Music History and Culture · Psychology

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Unique citing works10
Citations per year1.67
Citation span2020 - 2025 (6)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 10

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