Unintentional Poetics of Deleuze's Diagram between Mapping and Tracing
Performances in art and space by Rauschenberg, Beuys and Paolini
Bibliographic Data
| ID | 21687371 |
|---|---|
| Authors | Jakub Zdebik (University of Ottawa, corresponding author) |
| Year | 2022 |
| Volume | 27 |
| Issue | 8 |
| Pages | 98-107 |
| Publication date | 2022-11-17 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Performance Research (JOURNAL) |
| Journal identifiers | ISSN: 1352-8165 • E-ISSN: 1469-9990 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/13528165.2022.2224211 |
| OpenAlex | W4386382867 |
| Language | EN |
| References cited | 5 |
A diagrammatic approach to performance art redefines the medium’s aesthetic parameters through its cartographic relation to the body and memory. By using Deleuze’s concepts of diagram, map and tracing, this essay demonstrates how ephemeral art performances by Rauschenberg, Beuys and Paolini create a territory that is both abstract and concrete and connected to persistent visual art in the forms of lithographs, photographs and installations
Art · Art history · Diagram · Diagrammatic reasoning · Ephemeral key · Linguistics · Literature · Poetics · Poetry · Tracing · Visual arts · Art, Technology, and Culture · Computer Science · Philosophy · Posthumanist Ethics and Activism · Theatre and Performance Studies
| Highly cited | No |
|---|