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Rodney Ackland’s Version of Crime Punishment on the Portuguese Stage and its Reception in the Portuguese Press

Bibliographic Data

ID21695572
AuthorsJayanti Dutta (0009-0004-1856-8216, University of Lisbon, corresponding author)
Year2023
Volume28
Issue1
Pages32-41
Publication date2023-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSlavonica (JOURNAL)
Journal identifiersISSN: 1361-7427 • E-ISSN: 1745-8145
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13617427.2023.2244323
OpenAlexW4386049706
LanguageEN

In 1951, during times of strict censorship which had a highly negative impact on Portuguese culture, the Theatre Company of Amélia Rey Colaço and Robles Monteiro brought Dostoyevsky’s Crime and Punishment, in a version dramatised by Rodney Ackland, to the Portuguese stage. This short article focuses primarily on the reception of the play in the Portuguese Press of that era and looks critically at this production as an unusual theatrical phenomenon of that era in Portugal

Art · Censorship · Criminology · Epistemology · Linguistics · Phenomenon · Political science · Portuguese · Sociology · Historical and Modern Theater Studies · History · History, Culture, and Society · Law · Philosophy · Psychology · Social Psychology

Citation velocityhistorical
Highly citedNo

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