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Transatlantic Traffic in Recent Mexican Films

Bibliographic Data

ID2169934
AuthorsPaul Julian Smith (0000-0001-5239-3190, corresponding author)
Year2003
Volume12
Issue3
Pages389-400
Publication date2003-12-01
Open AccessNo
TypeARTICLE
VenueJournal of Latin American Cultural Studies (JOURNAL)
Journal identifiersISSN: 1356-9325 • E-ISSN: 1469-9575
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13569320310001629531
OpenAlexW2062800548
LanguageEN
Citations received5

In this paper I treat the recent resurgence of Mexican cinema (praised from Kinetoscopio to The Economist) as a test case for Manuel Castells's theory of ‘the interaction between technology-induced globalization, the power of identity (gender, religious, national, ethnic, territorial, socio-biological), and the institutions of the state' (1997, p. 2). Focusing on relations between Mexico and Spain, I examine the various and overlapping regulatory regimes which still frame audiovisual production in Europe and Latin America; address the increasingly powerful commercial dimension by offering corporate studies of two innovative Mexican producers, Altavista and Anhelo; and, finally, give an account of the two best known films in the so-called renaissance: Amores perros and Y tu mamá también. While these two famous features are not technically co-productions (and indeed have been praised for their sense of locality) I argue that they participate in a newly intense economic and cultural exchange between Latin America and Europe through the transatlantic reach of their parent companies (Compañı ́a Iberoamericana de Entretenimiento [CIE] and Omnilife, respectively) and their idiosyncratic casting of Spanish actresses in central roles

Art · Art history · Economic history · Economics · Economy · Ethnic group · Globalization · Humanities · Latin Americans · Movie theater · National identity · Political science · Politics · Power (physics · State (computer science · History · Law · Media, Journalism, and Communication History

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Citations per year0.26
Citation span2007 - 2012 (6)
Highly citedNo

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