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Street Photography Ethics

Bibliographic Data

ID21701686
AuthorsJohn Hadley (0000-0001-9641-028X, Western Sydney University, corresponding author)
Year2022
Volume25
Issue4
Pages529-540
Publication date2022-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEthical Theory and Moral Practice (JOURNAL)
Journal identifiersISSN: 1386-2820 • E-ISSN: 1572-8447
PublisherSpringer Science and Business Media LLC (PUBLISHER)
DOI10.1007/s10677-022-10316-6
OpenAlexW4291149467
LanguageEN
Citations received3
References cited9

In this paper I examine the ethics of street photography. I firstly discuss the close-up ‘in-your-face’ style street photography made famous by American photographer, Bruce Gilden. In close-up street photography, the proximity of the camera to the subject and the element of surprise work in tandem to produce a striking and evocative picture. Close-up street photography is shown to be ethically contentious on wellbeing-related and autonomy-related grounds. I next examine the more orthodox ‘respectable distance’ kind of street photography. In orthodox street photography, the photographer positions the camera some distance away from a nonconsenting subject that may or may not be aware a picture is to be taken. The main ethical problem with this form of street photography relates to the subject’s vanity and sense of self. When street photographers produce and publish images without the consent of subjects, they express their own creative freedom at the expense of the subject’s right to editorial control . I discuss the scope and potentially demanding practical implications of a right to editorial control. To conclude, I offer a workable solution to the ethical dilemma facing street photographers and discuss the implications of smart phones and photo-sharing social media platforms

Aesthetics · Art · Dilemma · Epistemology · Media studies · Photography · Photojournalism · Political science · Publication · Sociology · Surprise · Visual arts · World Wide Web · Computer Science · Geographies of human-animal interactions · Law · Law in Society and Culture · Photography and Visual Culture

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Unique citing works3
Citations per year3
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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