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Staging Politics and Activism in the Kirchner Era

Documentary and Fiction inEl estudiante

Bibliographic Data

ID2170183
AuthorsGaribotto (0000-0003-0040-1288, corresponding author), Verónica Garibotto
Year2014
Volume23
Issue2
Pages115-132
Publication date2014-04-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Latin American Cultural Studies (JOURNAL)
Journal identifiersISSN: 1356-9325 • E-ISSN: 1469-9575
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13569325.2014.893233
OpenAlexW1979662221
LanguageEN
Citations received2
References cited8

This article claims that Santiago Mitre's 2011 film El estudiante stages a confrontation regarding the notions of politics and activism that polarize Argentina in the Kirchner era (and arguably Latin America in the so-called New Left in general). The mixture of documentary and fiction and the filmic images' particular combination of indexical and symbolic components unveil a tension between a practical notion that considers politics to be the result of either gestión or emotions, and an ideal notion that sees politics as a series of principles and concepts and sees activism as a morally subordinate sphere. Thus, on the one hand, the article breaks with a monolithic view of politics and activism during Kirchnerismo, unpacking a confrontation that can resignify these concepts. On the other, it helps to further understand how the mixture of documentary and fiction, which is quite typical in new Argentine cinema, can be read ideologically

Aesthetics · Art · Epistemology · Ideal (ethics · Ideology · Indexicality · Linguistics · Literature · Movie theater · Political activism · Political science · Politics · Sociology · Unpacking · Cinema History and Criticism · Latin American Literature Studies · Law · Philosophy · Political and Social Dynamics in Chile and Latin America

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Unique citing works2
Citations per year0.17
Citation span2014 - 2017 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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