Mapping Flat, Deep, and Slow
On the ‘Spirit of Place’ in New Cinema History
Bibliographic Data
| ID | 21703011 |
|---|---|
| Authors | Jeffrey Klenotic (0000-0002-4419-2281, University of New Hampshire at Manchester, corresponding author) |
| Year | 2020 |
| Volume | 23 |
| Issue | 1-2 |
| Publication date | 2020-11-12 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | TMG Journal for Media History (JOURNAL) |
| Journal identifiers | ISSN: 1387-649X • E-ISSN: 2213-7653 |
| Publisher | Netherlands Institute for Sound and Vision (PUBLISHER • NL) |
| DOI | 10.18146/tmg.789 |
| OpenAlex | W3103327714 |
| Language | EN |
| Citations received | 2 |
This essay engages in a creative, heuristic, and reflexive consideration of the ‘localities’ of cinema audiences by exploring New Cinema History as a place. New Cinema History is conceptualised as a place continually produced in and through its interactions with the heterogeneous multiplicities of situated audiences and experiences of cinema that form the topoi of its landscape of inquiry. In reflecting on how this placialised landscape has been and might be represented, I argue that New Cinema History’s ‘spirit of place’ is most productive when rendered within a ‘splatial’ framework that draws upon practices of flat, deep, and slow mapping to offer new possibilities for bridging space and place, narrative and cartography, and history and geography. These practices motivate myriad forms of collaboration and data exchange among diverse projects and stakeholders that perforate and continually redraw boundaries of knowledge using dynamic, multiple, open tactics for representing and recombining research
Aesthetics · Art · Literature · Movie theater · Narrative · Reflexivity · Situated · Social science · Sociology · Topos theory · Visual arts · Cinema and Media Studies · Computer Science · Hong Kong and Taiwan Politics
| Citations per year | 0.4 |
|---|---|
| Citation span | 2021 - 2026 (6) |
| Highly cited | No |