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Cinematic Representations of Apartheid History and the Post-Apartheid Dutch- Afrikaner Relationship in Black Butterflies (2011) and An Act of Defiance (2017)

Bibliographic Data

ID21703052
AuthorsAnne Marieke van der Wal (0000-0002-0714-2795, corresponding author)
Year2024
Volume27
Issue2
Pages1-21
Publication date2024-12-27
Open AccessYes
TypeARTICLE
VenueTMG Journal for Media History (JOURNAL)
Journal identifiersISSN: 1387-649X • E-ISSN: 2213-7653
PublisherNetherlands Institute for Sound and Vision (PUBLISHER • NL)
DOI10.18146/tmg.883
OpenAlexW4405881673
LanguageEN
References cited4

The cinematic representation of Apartheid, and in particular the tendency of using white protagonists to narrate the story of black suffering, has been the object of much scholarly enquiry but this has never included Dutch films. This article explores the representation of Afrikaner anti-Apartheid activism in Dutch cinema through an analysis of the films Black Butterflies (2011) and An Act of Defiance (2017). It investigates how these films perpetuate or challenge the paradigm of ‘white heroism’ and ‘white saviourism’ prevalent in cinematic portrayals of colonial and Apartheid history. Through a comparative study, it reveals nuanced narratives of white protagonists, highlighting their complexities as ‘tragic heroes’ rather than conventional ‘white saviours,’ yet at the same time suggesting a societal inclination towards absolving their past sins, echoing a broader post-Apartheid narrative of forgiveness and reconciliation. By contextualising these representations within broader societal discourses on colonialism and post-Apartheid reconciliation, the article sheds light on evolving Dutch attitudes towards Afrikaners, as the descendants of Dutch colonists, and their historical culpability, offering insights into contemporary Dutch engagement with issues of race, identity, and historical memory

Aesthetics · Art · Art history · Colonialism · Criminology · Culpability · Literature · Movie theater · Narrative · Political science · Politics · Sociology · Gender Studies · Gender, Security, and Conflict · History · Law · Migration, Refugees, and Integration · South African History and Culture

  • European Cinemas, European Societies

    Pierre Sorlin•European cinemas, European…•2004

  • Hollywood's Africa after 1994

    Natasha Himmelman, Maryellen Higgins•Hollywood’s Africa after 1994•2012

  • Legitimation crisis and containment

    Kelly J Madison•Critical Studies in Mass…•1999

  • Visions of the Past. The Challenge of Film to Our Idea of History

    Christian Delage, Robert A Rosenstone•Vingtième Siècle Revue d histoire•1996

Highly citedNo

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