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Táncvigalmak a jótékonyság szolgálatában Makón a két világháború közötti időszakban

Bibliographic Data

ID21713283
AuthorsVivien Apjok (0000-0003-1062-5373, University of Szeged), Daniel Kasza (University of Szeged), Döníz Klima (University of Szeged)
Year2024
Volume36
Issue3
Pages132-147
Publication date2024-01-01
Open AccessYes
TypeARTICLE
VenueBelvedere Meridionale (JOURNAL)
Journal identifiersISSN: 1419-0222 • E-ISSN: 2064-5929
PublisherUniversity of Szeged (PUBLISHER • HU)
DOI10.14232/belv.2024.3.7
OpenAlexW4407579505
LanguageHU

Following World War I, social gatherings and artistic programs were organized throughout the country, with proceeds dedicated to charitable purposes. One type of such event was a dance gathering or ball, which could be held in both the capital and provincial towns within centrally regulated frameworks, aimed at serving the public good. In Makó—a town that, after the Treaty of Trianon, found itself on the country’s periphery and was undergoing a shift in its regional role while maintaining a vibrant cultural life—numerous dance events were organized in line with national practice, with all proceeds donated to charity. In our study, based on documents from 100 years ago, we outline the issues surrounding the authorization of dance gatherings in Makó. Between 1923 and 1930, a total of 49 applications were submitted to the mayor of Makó for permission to organize dance events, with each approval subject to specific conditions

Art · Humanities · Physics · French Historical and Cultural Studies · Hungarian Social, Economic and Educational Studies

Highly citedNo

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