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Exploring and emphasising women’s voices at Sacrum Profanum festival in Krakow

Bibliographic Data

ID21716686
AuthorsKarolina Golemo (0000-0001-5728-9587, Jagiellonian University, corresponding author)
Year2023
Issue35
Pages19-35
Publication date2023-01-01
Open AccessYes
TypeARTICLE
VenueMuzikologija (JOURNAL)
Journal identifiersISSN: 1450-9814 • E-ISSN: 2406-0976
PublisherNational Library of Serbia (PUBLISHER • RS)
DOI10.2298/muz2335019g
OpenAlexW4391141417
LanguageEN
References cited11

Sacrum Profanum festival stands as one of the prominent musical events in Krakow. The festival is recognised for its unique fusion of contemporary classical music with electronic sounds, jazz and other genres. Alongside its artistic and musical endeavours, the Sacrum Profanum festival remains dedicated to social issues, meticulously promoting gender balance in its lineup, and constantly contributing to the social debate about gender equality in the cultural sector in Poland. The main aim of this article is to analyse the presence of women during the 2020 edition of the festival, with special focus on the socio-cultural message conveyed by the female artists (composers and performers) that actively contributed to that edition

Sacrum · Media, Gender, and Advertising · Sport and Mega-Event Impacts · Sports, Gender, and Society · Geology · Paleontology

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  • Festivals and Social Change

    Erin K Sharpe•Leisure Sciences•2008

  • Central Problems in Social Theory

    Open Access•Anthony Giddens•Central Problems In Social Theory…•1979

  • Class, patriarchy, and Sartre's theory of practice

    Open Access•R Connell, R W Connell•Theory and Society•1982

Highly citedNo

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