Stravinsky and the post-war generation in France
Aspects of influence
Bibliographic Data
| ID | 21716698 |
|---|---|
| Authors | Edward Campbell (0009-0004-2328-9852, University of Aberdeen, Aberdeen, Scotland, United Kingdom, corresponding author) |
| Year | 2023 |
| Issue | 34 |
| Pages | 69-83 |
| Publication date | 2023-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Muzikologija (JOURNAL) |
| Journal identifiers | ISSN: 1450-9814 • E-ISSN: 2406-0976 |
| Publisher | National Library of Serbia (PUBLISHER • RS) |
| DOI | 10.2298/muz2334069c |
| OpenAlex | W4385061773 |
| Language | EN |
| References cited | 6 |
This article explores aspects of Stravinsky?s influence on some key composers of the Francophone post-war avant-garde, namely Pierre Boulez, Jean Barraqu?, Hen?ri Pousseur and Michel Philippot. While Messiaen, Boulez and Barraqu? build on Stravinsky?s rhythmic innovations, Pousseur focuses on the sonic complexity of the Russian composer?s scores. Boulez and Philippot praise Stravinsky?s unique instrumental groupings and later Boulez finds in certain of Stravinsky?s scores a renewed source of musical form, as well as the structural coherence afforded by Stravinsky?s use of pitch polarity
Art · Literature · Musical · Physics · Praise · Literature, Musicology, and Cultural Analysis · Music Technology and Sound Studies · Musicology and Musical Analysis
| Citation velocity | historical |
|---|---|
| Highly cited | No |