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Sakharov, Kireevsky, Afanasyev and others

Stravinsky in the context of Russian folkloristics

Bibliographic Data

ID21716759
AuthorsStamatis Zochios (0000-0002-1478-3793, Hellenic Folklore Research Centre, Academy of Athens, Athens, Greece + Groupe Sociétés, Religions, Laïcités (UMR 8582), Paris, France, corresponding author)
Year2023
Issue34
Pages19-31
Publication date2023-01-01
Open AccessYes
TypeARTICLE
VenueMuzikologija (JOURNAL)
Journal identifiersISSN: 1450-9814 • E-ISSN: 2406-0976
PublisherNational Library of Serbia (PUBLISHER • RS)
DOI10.2298/muz2334019z
OpenAlexW4385061694
LanguageEN
References cited21

This article focuses on the studies and collections of folk songs and tales that formed the main source of inspiration for Igor Stravinsky during the Russian period of his work. To do this, I begin with a brief analysis of the evolution of folkloristics mainly during the 19th century and the construction of science with clearer, mainly national and patriotic goals and methods, as well as the use of folk literature and poetry by the artists of the time. It was in this field that Stravinsky was active, although in the case of his own modern approach, it is difficult to answer whether the motivations were clearly national or not

Aesthetics · Archaeology · Art · Folklore · Folkloristics · Literature · Poetry · Folklore, Mythology, and Literature Studies · History · Musicology and Musical Analysis

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