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Expanding self-referential awareness in music learning

Utilising the expressive arts to facilitate reflection during group free improvisation

Bibliographic Data

ID21717878
AuthorsTawnya D Smith (0000-0002-7592-1870, Music Education, Boston University, Boston, USA, corresponding author)
Year2024
Volume26
Issue5
Pages598-608
Publication date2024-10-19
Open AccessNo
TypeARTICLE
VenueMusic Education Research (JOURNAL)
Journal identifiersISSN: 1461-3808 • E-ISSN: 1469-9893
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14613808.2024.2373481
OpenAlexW4400451875
LanguageEN
Citations received1
References cited11

Traditional music education has prioritised external over internal performance aims, leading some learners to prioritise external motivations. I facilitated a workshop series for participants who experienced music performance anxiety when improvising, to examine if free improvisation coupled with expressive art response could cultivate self-knowledge and self-referential awareness to balance internal and external motivations and restore healthful evaluations of the participants’ music-making. Using case study and art-based research, I invited six participants to improvise, journal, engage in art response during the playback of improvisations, and participate in group discussions. Findings suggest that participants learnt to identify self-referents and expand their conscious awareness of inner dialogue, emotions, and physical sensations during music-making. They were able to use this expanded awareness to begin to redirect their focus from self-conscious thoughts to more non-judgmental or creative states. Internalised fear-based motivation was identified as a barrier to effective musical communication during improvisation

Art · Improvisation · Mathematics education · Music education · Pedagogy · Psychoanalysis · Self-Reflection · The arts · Visual arts · Communication · Computer Science · Diverse Music Education Insights · Music Therapy and Health · Neuroscience and Music Perception · Psychology

  • Perceptions of Trauma and Trauma-Informed Pedagogy

    Open Access•Xianjun Yu, Tawnya D Smith•International Journal of Music…•2026

  • The Psychology of Music Performance Anxiety

    Dianna T Kenny, Dianna Kenny•The psychology of music…•2011

  • The art of case study research

    Robert E Stake•The art of case study research•1995

  • Giving voice to jazz singers’ experiences of flow in improvisation

    Open Access•Melissa Forbes•Psychology of Music•2021

  • Know thyself

    Michael A Franklin•Journal of Applied Arts and Health•2012

Citations per year1
Citation span2026 - 2026 (1)
Highly citedNo

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