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The Namasagali experience

Performing Utopia

Bibliographic Data

ID21718936
AuthorsJill Pribyl (0000-0002-4250-400X, University of Cape Town, corresponding author)
Year2022
Volume23
Issue2
Pages260-272
Publication date2022-04-03
Open AccessNo
TypeARTICLE
VenueResearch in Dance Education (JOURNAL)
Journal identifiersISSN: 1464-7893 • E-ISSN: 1470-1111
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14647893.2020.1812562
OpenAlexW3084368780
LanguageEN
References cited9

It has been almost twenty years since Namasagali College, a co-educational secondary school in Eastern Uganda, staged its last performance, yet the memory of these musical theater productions are recalled with the nostalgia of a lost renaissance. These transdisciplinary productions that utilized modern dance, acting and mimed songs transformed the education of students from the Freirian ‘banking system’ into a liberating educational experience where students participated in the co-creation of these theatrical works. With Father Damien Grimes, Mill Hill Missionary from Wales, at the helm, more than 25 productions were staged during his years as headmaster (1971–2000). What Grimes never lost sight of was the performing arts pedagogy he initiated, which transformed the school into a self-made institution of hope despite the political instability that impacted the school throughout his tenure. This paper investigates the questions of agency, innovation and the role of performance in the self-fashioning of a liberated feminist self among the female students of Namasagali. Drawing on interviews from former students and teachers, this article will discuss the notion of solidarity among students within a modern dance world view as practised in a post-colonial education system

Art · Dance · Dance education · Institution · Musical · Pedagogy · Political science · Politics · Social science · Sociology · Solidarity · The arts · Visual arts · Visual arts education · Diversity and Impact of Dance · Gender Studies · Global Education and Multiculturalism · Law · Theatre and Performance Studies

  • Colonialism/Postcolonialism

    Ania Loomba•Colonialism/Postcolonialism•2015

  • African Sexualities

    Sylvia Tamale•African Sexualities•2011

  • State Repression and the Labors of Memory

    E Jelin•State Repression and the Labors…•2010

  • Exotic Identities

    Sheila Bock, Bock Bock et al.•Journal of Folklore Research•2011

  • Unsettling the Coloniality of Being/Power/Truth/Freedom

    Sylvia Wynter•CR The New Centennial Review•2003

  • Women's Access to Higher Education in Africa

    Helen Ruth Aspaas, Joy C Kwesiga et al.•African Studies Review•2003

  • Gendering social destiny in the proverbs of the Baganda

    Abasi Kiyimba•Journal of African Cultural Studies•2005

Highly citedNo

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