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Physical solidarity as feeling the feeling

Bibliographic Data

ID21722010
AuthorsRamsay Burt (0000-0001-8818-7057, De Montfort University, corresponding author)
Year2024
Volume44
Issue1
Pages148-150
Publication date2024-01-02
Open AccessYes
TypeARTICLE
VenueStudies in Theatre and Performance (JOURNAL)
Journal identifiersISSN: 1468-2761 • E-ISSN: 2040-0616
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14682761.2024.2342690
OpenAlexW4399716990
LanguageEN
References cited2

This provocation reflects on the experience of taking a class in contemporary African dance in Senegal, arguing that it represents a physicalisation of solidarity. The class included dance students from Europe and the African continent who came together through moving rhythmically despite having no common verbal language. Drawing on Sara Ahmed’s proposals about solidarity and Judith Butler’s theory of performative assembly, this intervention argues that the aesthetic underlying these students’ dancing was one that challenged dominant aesthetic values and the power relations underling them to generate solidarity as feeling the feeling of this challenge. This is a short provocation that was prepared for the roundtable discussion on ‘Decolonisation and Solidarity’ as part of the conference, Borderlines IX: Seeking Solidarity and Wonder Through Performance, which took place at De Montfort University in Leicester, UK, on 30 June and 1 July 2022

Aesthetics · Art · Feeling · Political science · Politics · Sociology · Solidarity · Art Therapy and Mental Health · Interdisciplinary Cultural and Social Studies · Posthumanist Ethics and Activism · Psychology · Social Psychology

  • The Cultural Politics of Emotion

    Sara Ahmed, Sara Ahmed Sayed Ali•Cultural Politics of Emotion•2014

  • Notes Toward a Performative Theory of Assembly

    Judith Butler•Notes Toward a Performative…•2015

Highly citedNo

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