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White supremacist performance and its refusal

A reflection on the mosque shootings in Christchurch, Aotearoa New Zealand

Bibliographic Data

ID21722028
AuthorsEmma Willis (0000-0003-4938-2380, University of Auckland, corresponding author)
Year2021
Volume41
Issue3
Pages236-246
Publication date2021-09-02
Open AccessYes
TypeARTICLE
VenueStudies in Theatre and Performance (JOURNAL)
Journal identifiersISSN: 1468-2761 • E-ISSN: 2040-0616
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14682761.2021.1971885
OpenAlexW3202720063
LanguageEN
Citations received2
References cited7

The terror attack carried out at two mosques in Aotearoa New Zealand by a white supremacist in 2019 was intended as a spectacle for mass public consumption. Its live-stream on Facebook invited hyper-identification (akin to a first-person shooter game), exploiting the disembodied nature of digital connection. In this essay, I draw from Judith Butler’s concept of ‘hallucinatory merging’ to characterize this performativity and to suggest that both the killings and their filming were an attack on the ‘generativity’ of the assembly of bodies-in-prayer. The public response led by New Zealand’s Prime Minister Jacinda Ardern avowedly rejected the ideology of white supremacy that motivated the attack. Her remark that ‘this is not us’ galvanized public sentiment, generating waves of public solidarity and a variety of public counter-performances. At the same time, this was a white supremacist act carried out in a settler (post-colonial) society, throwing into sharp relief the everyday performances of racial intolerance that trouble the notion that this is ‘not us,’ a point made by various communities including Indigenous Māori. In tracing the two opposed modes of performance – that of white supremacist exclusivity and a national narrative of inclusion – I reflect on their entanglement as well as their distinction

Aesthetics · Aotearoa · Art · Ideology · Literature · Media studies · Narrative · Political science · Politics · Racism · Sociology · Solidarity · Vigil · White supremacy · Gender Studies · Gender, Feminism, and Media · History · Law · Posthumanist Ethics and Activism · Theatre and Performance Studies

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  • Aotearoa New Zealand

    Open Access•Kirstine Moffat, David Simes et al.•The Journal of Commonwealth…•2023

  • Notes Toward a Performative Theory of Assembly

    Judith Butler•Notes Toward a Performative…•2015

  • The Universal Machine

    Open Access•Fred Moten•Universal Machine•2018

  • Performance in a time of terror

    Sophie Nield•Research in Drama Education The…•2013

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    Open Access•Sharon Mazer•Te Kaharoa•2020

  • How to Do Things with Prayer Utterances

    Open Access•Sharp, Shane Sharp•Symbolic Interaction•2013

Citations per year0.5
Citation span2022 - 2026 (5)
Highly citedNo

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