Trails of Erasure
Imagining the reality of co-migrations in contemporary climate fiction
Bibliographic Data
| ID | 21722375 |
|---|---|
| Authors | Nadine Boehm-Schnitker (Friedrich-Alexander-University, corresponding author) |
| Year | 2024 |
| Volume | 28 |
| Issue | 3 |
| Pages | 160-175 |
| Publication date | 2024-07-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Green Letters (JOURNAL) |
| Journal identifiers | ISSN: 1468-8417 • E-ISSN: 2168-1414 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/14688417.2024.2354165 |
| OpenAlex | W4399276122 |
| Language | EN |
| Citations received | 1 |
| References cited | 21 |
In this article, I am going to trace ‘trails of erasure’ in two contemporary novels that introduce a wider trend in climate fiction: Firstly, both Barbara Kingsolver’s Flight Behaviour (2012) and Charlotte McConaghy’s Migrations (2020) indicate a tendency to envision temporalities that render climate threats more imminent and, secondly, both novels imagine spatialities that align human and non-human forms of migration. Thus, they closely connect human and non-human ways of coping with climate change, which may be considered a form of deep adaptation to our current climate crisis. However, they not only challenge but also reinscribe problematic gender and class discourses in the process
Aesthetics · Art · Environmental ethics · Erasure · Climate Change, Adaptation, Migration · Computer Science · Geographies of human-animal interactions · History · Philosophy · Utopian, Dystopian, and Speculative Fiction
Routes
Conciliation and Consilience
Introduction
The Environmental Imagination
Imagining Extinction
Dark Ecology
Fatally Confused
Feminism and the Mastery of Nature
Why it Matters How We Frame the Environment
Posthumanist Performativity
The Great Derangement
Slow Violence and the Environmentalism of the Poor
Biocultural Creatures
Family territory' to the 'circumference of the earth
| Citations per year | 0.5 |
|---|---|
| Citation span | 2024 - 2024 (1) |
| Highly cited | No |