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The Materiality of Absence in Paul Auster’s Poetry and Fiction

Bibliographic Data

ID21722404
AuthorsOliver Haslam (0000-0001-5186-7948, University of Evansville, corresponding author)
Year2024
Volume28
Issue3
Pages204-217
Publication date2024-07-02
Open AccessNo
TypeARTICLE
VenueGreen Letters (JOURNAL)
Journal identifiersISSN: 1468-8417 • E-ISSN: 2168-1414
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14688417.2024.2393106
OpenAlexW4401717719
LanguageEN
Citations received1
References cited9

Through mapping the blank landscapes and stones in Paul Auster’s writing, and through the employment of a framework that reads Auster alongside twenty-first-century theories of minimalist aesthetics, this article demonstrates how his early poetry and later fiction frequently explore a politics of erasure. The intersection of an austere literary style with contextually flat representations of crumbling stones, work, and conspicuously omitted power structures affords a previously unacknowledged environmental context underpinning Auster’s thinking. By recalling his early poetry and later novels that dramatise comparable scenarios of labour and loss under the shadow of external threat, I explore how frequent representations of erasure echo environmental and cultural anxieties related to memory and future uncertainty

Aesthetics · Art · Literature · Poetry · American and British Literature Analysis · Contemporary Literature and Criticism · Philosophy · Poetry Analysis and Criticism

  • Introduction

    Demi Wilton, Oliver Haslam•Green Letters•2024

  • Cruel Optimism

    Lauren Berlant, Lauren Gail Berlant•Cruel Optimism•2011

  • The imagery of writing in the early works of Paul Auster

    Andrea Pitozzi•Textual Practice•2018

Citations per year0.5
Citation span2024 - 2024 (1)
Highly citedNo

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