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Thinking and Writing with Leaves

Poplar Sympoetics in Romanticism

Bibliographic Data

ID21722489
AuthorsFrederike Middelhoff (0000-0002-9945-7320, Goethe University Frankfurt, corresponding author)
Year2021
Volume25
Issue4
Pages356-376
Publication date2021-10-02
Open AccessNo
TypeARTICLE
VenueGreen Letters (JOURNAL)
Journal identifiersISSN: 1468-8417 • E-ISSN: 2168-1414
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14688417.2022.2029718
OpenAlexW4210591617
LanguageEN
Citations received1
References cited11

This article explores how Romantic literatures imagine the lives of and reconfigure encounters with poplar trees. It pays particular attention to German-language writing, its arboreal contexts, and the aesthetic modes of talking and listening to poplars. The Romantics, I argue, were interested in poplars not (only) because they were aesthetically pleasing objects, but because poplars evidently made themselves known as self-expressive subjects of a life – a life that the poplars themselves, in turn, imposed upon Romantic poetics. The article reads Romantic poplars as deeply entrenched in the material semiotics of human-tree histories, co-habitation, and the various forms of mourning and remembering with poplars in the Romantic period. Approaching Romantic writing with poplars as a form of sympoetics that is closely connected to poplars outside of the texts, the article analyzes selected poplar writings transcending realms of the symbolic and translating the nonverbal soundscapes of poplar articulations into written texts

Aesthetics · Art · Literature · Poetics · Poetry · Romance · Romanticism · Sociology · Ecocriticism and Environmental Literature · Ecology, Conservation, and Geographical Studies · Geographies of human-animal interactions

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Citations per year0.5
Citation span2024 - 2024 (1)
Highly citedNo

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