Franco-Iranian cinema
Ruptures, cooperation, paradoxes
Bibliographic Data
| ID | 21724760 |
|---|---|
| Authors | Cristina Johnston (0000-0002-6685-053X, University of Stirling, corresponding author) |
| Year | 2023 |
| Volume | 23 |
| Issue | 1 |
| Pages | 85-103 |
| Publication date | 2023-03-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Romance Studies (JOURNAL) |
| Journal identifiers | ISSN: 1473-3536 • E-ISSN: 1752-2331 |
| Publisher | Liverpool University Press (PUBLISHER • GB) |
| DOI | 10.3828/jrs.2023.6 |
| OpenAlex | W4360891492 |
| Language | EN |
| References cited | 10 |
The history of Franco-Iranian cinematic exchanges is long and complex, with its roots stretching back to the earliest days of film. This chapter will explore the evolution of Franco-Iranian cinema, highlighting the significance of the pairing at key moments in a traditional narrative of French film history, as well as examining the ways in which the relationship plays out through funding and festivals, giving voice to a wider set of cultural and political narratives in the late twentieth and early twenty-first centuries. The article seeks to explore the extent to which we can see a sustained pattern of creative intersections emerging and the ways in which ‘Franco-Iranian film’ can meaningfully be understood in the context of twenty-first-century cinéma-monde
Aesthetics · Archaeology · Art · Literature · Movie theater · Narrative · Political science · Politics · African history and culture studies · Cinema and Media Studies · French Historical and Cultural Studies · History · Law
| Citation velocity | historical |
|---|---|
| Highly cited | No |