Fragmentary writing in J.V. Foix’s surrealist criticism and poetry
Bibliographic Data
| ID | 21724875 |
|---|---|
| Authors | Enric Bou (0000-0003-1062-1823, Università Ca' Foscari Venezia, corresponding author) |
| Year | 2023 |
| Volume | 23 |
| Issue | 4 |
| Pages | 487-509 |
| Publication date | 2023-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Romance Studies (JOURNAL) |
| Journal identifiers | ISSN: 1473-3536 • E-ISSN: 1752-2331 |
| Publisher | Liverpool University Press (PUBLISHER • GB) |
| DOI | 10.3828/jrs.2023.22 |
| OpenAlex | W4389080790 |
| Language | EN |
| References cited | 3 |
This article addresses a little-known episode in the surrealist movement: the adventurous (if not hindered) integration of surrealism into Iberian literature and art, particularly J.V. Foix’s intervention through critical (in La Publicitat ) and poetical writing ( Gertrudis , 1927, and KRTU , 1932), and his collaboration with Salvador Dalí and Joan Miró. Foix accomplished the dynamic process of transforming and reconfiguring the meaning and function of surrealist aesthetics in Catalonia in a complex network and context. Reading Foix not only as a philological issue, but also against an international background, and from the fragmentary writing perspective, will enrich traditional approaches and provide an insight into Catalan surrealism
Archaeology · Art · Catalan · Criticism · Epistemology · Humanities · Literature · Poetics · Poetry · Visual arts · History · Medieval European Literature and History · Philosophy · Spanish History and Politics · Spanish Literature and Culture Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |