Daniel Alarcón’s Lost City Radio and the work of translation

Between the local and the global

Datos Bibliográficos

ID21724896
AutoresElisa Sampson Vera Tudela (0000-0001-6651-9647, King's College London, autor de correspondencia)
Año2022
Volumen22
Número2
Páginas217-235
Fecha de publicación2022-06-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaJournal of Romance Studies (JOURNAL)
Identificadores de la revistaISSN: 1473-3536 • E-ISSN: 1752-2331
EditorialLiverpool University Press (PUBLISHER • GB)
DOI10.3828/jrs.2022.12
OpenAlexW4283375057
IdiomaEN
Referencias citadas22

The subject of Alarcón’s English language novels is identified without difficulty in publicity materials as deeply Peruvian and yet the marketing also presents him as a ‘World’ writer. I explore how naming where Alarcón’s writing is ‘from’ and where it is going relates to the place of Latin American culture globally. Working with the idea that literature should have a ‘place’, I examine the politics of (self)translation in Alarcón with reference to the period of armed internal conflict in Peru (1980–2000) to argue that an understanding of (self)translation as a process can contribute to our idea of what World Literature is and what national literatures are from a specifically Latin American perspective. In an interplay between foreign and domestic that differs from the more familiar strategies of codeswitching in Latinx writing, Alarcón both enables and resists the translation of other parts of the world onto Peru/Latin America

Art · Latin Americans · Linguistics · Political science · Politics · Publicity · Sociology · Translation studies · Visual arts · Comparative Literary Analysis and Criticism · Computer Science · Gender Studies · History · Law · Philippine History and Culture · Philosophy · Translation Studies and Practices