Caramel connections
A memory box, the box office and Pathaan
Bibliographic Data
| ID | 21725129 |
|---|---|
| Authors | Paromita Vohra (0009-0000-3816-0147, corresponding author) |
| Year | 2023 |
| Volume | 21 |
| Issue | 1 |
| Pages | 95-100 |
| Publication date | 2023-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | New Cinemas Journal of Contemporary Film (JOURNAL) |
| Journal identifiers | ISSN: 1474-2756 • E-ISSN: 2040-0578 |
| Publisher | Intellect (PUBLISHER • GB) |
| DOI | 10.1386/ncin_00043_1 |
| OpenAlex | W4402534422 |
| Language | EN |
While the film Pathaan , at the time of its release in 2023, was read in terms of its overt political messaging and against the backdrop of a majoritarian political culture, this article sees Pathaan ’s political work as more subterranean. Pathaan functions as a kind of memory box connecting viewers through a web of sensed memories, which I call caramel connections , of cinema and their unspoken connections and implications of heterogeneity. The film’s self-aware engagement is with both the history and the memory of an older Bollywood cinema: its earnestness, its disinterest in aesthetics and politics of realism claims the space of popular culture as political outside the binaries of left and right. Shah Rukh Khan is a star who has functioned as an emotive vehicle for transitional moments in India. What kind of transitional moment do Pathaan and Khan see themselves as travelling through
Advertising · Box office · Business · Cinema and Media Studies · Computer Science · South Asian Cinema and Culture
| Citation velocity | historical |
|---|---|
| Highly cited | No |