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Caramel connections

A memory box, the box office and Pathaan

Bibliographic Data

ID21725129
AuthorsParomita Vohra (0009-0000-3816-0147, corresponding author)
Year2023
Volume21
Issue1
Pages95-100
Publication date2023-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNew Cinemas Journal of Contemporary Film (JOURNAL)
Journal identifiersISSN: 1474-2756 • E-ISSN: 2040-0578
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/ncin_00043_1
OpenAlexW4402534422
LanguageEN

While the film Pathaan , at the time of its release in 2023, was read in terms of its overt political messaging and against the backdrop of a majoritarian political culture, this article sees Pathaan ’s political work as more subterranean. Pathaan functions as a kind of memory box connecting viewers through a web of sensed memories, which I call caramel connections , of cinema and their unspoken connections and implications of heterogeneity. The film’s self-aware engagement is with both the history and the memory of an older Bollywood cinema: its earnestness, its disinterest in aesthetics and politics of realism claims the space of popular culture as political outside the binaries of left and right. Shah Rukh Khan is a star who has functioned as an emotive vehicle for transitional moments in India. What kind of transitional moment do Pathaan and Khan see themselves as travelling through

Advertising · Box office · Business · Cinema and Media Studies · Computer Science · South Asian Cinema and Culture

Citation velocityhistorical
Highly citedNo

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