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Cinematic-thinking

Cinematic language and its interaction with cognition and consciousness

Bibliographic Data

ID21725156
AuthorsAlkim Erol (0000-0003-0636-2099, ISNI: 0000000419370247 University of Barcelona), Alkım Erol (Universitat de Barcelona), Mustafa Erol (0000-0002-1675-7070, ISNI: 0000000121839022 Dokuz Eylul University), R Canals (0000-0002-1529-5943, ISNI: 0000000419370247 University of Barcelona)
Year2026
Publication date2026-05-02
Open AccessNo
TypeARTICLE
VenueNew Cinemas Journal of Contemporary Film (JOURNAL)
Journal identifiersISSN: 1474-2756 • E-ISSN: 2040-0578
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/ncin_00066_1
OpenAlexW7160310618
LanguageEN
References cited18

The work focuses on cinematic-thinking and the way it influences human cognition and consciousness. More specifically, it proposes a structural model on the functioning of cinematic language and differentiates cinematic-thinking from verbally articulated thought formation processes. Based on this structural model, the connection between cinematic language, cognition and consciousness is illuminated with reference to the distinct cognitive process of cinematic-thinking on a meta-theoretical level. Finally, it is concluded that the cinematic channel has the potential to affect and shape the consciousness in a unique way through its singular cognitive process of generating thoughts and emotions through cinematic language

Acknowledgement · Cognition · Consciousness · Ethics, Aesthetics, and Art · Film in Education and Therapy · Media Influence and Health

  • Top-down influences on visual processing

    Open Access•Charles D Gilbert, Wu Li•Nature Reviews Neuroscience•2013

  • The Creation of the Concept through the Interaction of Philosophy with Science and Art

    Open Access•Mathias Schönher•Deleuze Studies•2013

  • Frontiers in Group Dynamics

    Open Access•Kurt Lewin•Human Relations•1947

  • Recent Work on Cinema as Philosophy

    Open Access•Paisley Livingston•Philosophy Compass•2008

Highly citedNo

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