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Sexuality, nationalism and the other

The Arabic literary canon between Orientalism and the Nahḍa discourse at the fin de siècle

Bibliographic Data

ID21726580
AuthorsFeras Alkabani (0000-0002-4507-9387, University of Sussex, corresponding author)
Year2020
Volume23
Issue3
Pages111-139
Publication date2020-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMiddle Eastern Literatures (JOURNAL)
Journal identifiersISSN: 1475-262X • E-ISSN: 1475-2638
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/1475262x.2021.1885133
OpenAlexW3148306675
LanguageEN
References cited18

This article examines the dual and paradoxical conception of the Arabic literary canon in Orientalist and Nahḍa discourses in the nineteenth and early twentieth centuries—an era of great change and closer mutual cultural awareness between Europe and the Arab world. What Arabic literature had long signified to European scholars since Antoine Galland’s eighteenth-century translation of The Arabian Nights (mysticism, Romanticism and a platform to explore sexual taboos) was very different from how the nationalist-minded Nahḍa intellectuals wanted to reconfigure it as the hallmark of the rational “Golden Age” of Arab civilization. Sexuality became a site of contestation between certain Orientalists who praised Arab literary “frankness” and an anxious class of Arab scholars who wanted to “cleanse” the Arabic literary canon and reconfigure it in line with modern, European standards of “respectability” and “politeness.”

Art · Civilization · Human sexuality · Literature · Mysticism · Nationalism · Orientalism · Politics · Print culture · Romanticism · Sociology · Classics · Gender Studies · Global Maritime and Colonial Histories · Hispanic-African Historical Relations · History · Islamic Studies and History · Law

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Citation velocityhistorical
Highly citedNo

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