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Why Should I Stay in the Margins and Rot? Pedro Lemebel, the Urban Chronicle and the Chilean Literary Establishment

Bibliographic Data

ID21726712
AuthorsBARBARA CASTILLO BÜTTINGHAUSEN (University of Edinburgh, corresponding author)
Year2023
Volume100
Issue7
Pages739-753
Publication date2023-07-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueBulletin of Hispanic Studies (JOURNAL)
Journal identifiersISSN: 1475-3839 • E-ISSN: 1478-3398
PublisherLiverpool University Press (PUBLISHER • GB)
DOI10.3828/bhs.2023.48
OpenAlexW4386172552
LanguageEN
References cited8

This article examines the place of the urban chronicle in the complex processes of literary canon formation in Chile. These processes have proved sensitive to political, aesthetic, social and economic factors at both local and global levels. I argue that the recognition and support of Chilean critics, publishing houses and scholars is essential for writers to become canonized in the country. An analysis of the resistance, acceptance and eventual canonical recognition of the work of Chilean writer Pedro Lemebel concludes that the genre of the urban chronicle has gradually entered the canon through different streams; first anti-canonical, then conventionally canonical. This has happened in spite of the ongoing predominance of the genres of narrative, poetry and drama in the Chilean literary establishment

Art · Canon · Drama · Humanities · Literature · Narrative · Poetry · Sociology · Cultural and Social Studies in Latin America · Latin American Literature Studies · Political and Social Dynamics in Chile and Latin America

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Citation velocityhistorical
Highly citedNo

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