‘Our Ship Drum Earth’
Decolonial Musicking in Ernesto Neto’s Percussion Installation in Lisbon
Bibliographic Data
| ID | 21728455 |
|---|---|
| Authors | Andrew Snyder (0000-0001-6914-4086, Institute of Ethnology, corresponding author) |
| Year | 2025 |
| Pages | 1-33 |
| Publication date | 2025-09-22 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | twentieth-century music (JOURNAL) |
| Journal identifiers | ISSN: 1478-5722 • E-ISSN: 1478-5730 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s1478572225100091 |
| OpenAlex | W4414397616 |
| Language | EN |
| References cited | 12 |
Brazilian sculptor Ernesto Neto’s gigantic artwork ‘Our Ship Drum Earth’ was featured in Lisbon for five months in 2024. Taking the form of a ship, the piece played on and critiqued the omnipresent nautical emblem of Lisbon’s iconography that celebrates the ‘Age of Discovery’ as sacrosanct history of Portugal. The installation contained percussion instruments from diverse cultures around the world, making reference to the musical traditions that were encountered and forged through Portuguese colonialism. During the exhibition, visitors were invited to freely play the instruments, forging musical hybridities that might represent new, convivial possibilities for global conversation. The ship also hosted several performance events featuring predominantly immigrant ensembles from ex-colonies of the Portuguese Empire. In this article, I argue that, through performance, the sculpture accumulated new meanings, providing a foundation to experimentally and collaboratively respond to Neto’s invitation to musically construct decolonial futures arising from the postcolonial present
Drum · Emblem · Iconography · Musical · Musical instrument · Percussion · Portuguese · Sculpture · Diverse Musicological Studies · Music History and Culture · Musicology and Musical Analysis
| Highly cited | No |
|---|