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Zola’s Sense of Reality

Repetition, Deadtime, and Boredom in La Joie de vivre

Bibliographic Data

ID21728558
AuthorsMargot Szarke (University of California, Berkeley, corresponding author)
Year2024
Volume28
Issue2
Pages182-195
Publication date2024-04-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueDix-Neuf (JOURNAL)
Journal identifiersISSN: 1478-7318 • E-ISSN: 1478-7342
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14787318.2023.2254947
OpenAlexW4386789411
LanguageEN
Citations received1
References cited12

This essay considers Emile Zola's La Joie de vivre (1884) as a study of boredom which turns into a self-reflexive study of literature itself, highlighting the ways in which the text slows down perceptions of objects, events, and the passage of time. This ‘roman psychologique' stretches the reader's attention, thereby inducing forms of ennui that mirror those experienced by the novel's characters. By examining how Zola's writing warps the ‘reality effect' and how it dissolves the distinction between narration and description, this investigation shows furthermore that Zola’s literary experimentation pushes his naturalism in a modernist direction

Art · Art history · Boredom · Epistemology · Humanities · Literature · Narrative · Utopia · French Literature and Criticism · Philosophy

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    Open Access•Sophie Maddison•Dix-Neuf•2025

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  • Experience Without Qualities

    Elizabeth S Goodstein•Experience Without Qualities•2005

  • L'effet de réel

    Roland Barthes•Communications•1968

  • Frontières du récit

    Gérard Genette•Communications•1966

Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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