Minor Intimacies and the Art of Berthe Morisot
Impressionism, Female Friendship and Spectatorship
Bibliographic Data
| ID | 21728601 |
|---|---|
| Authors | Claire Moran (0000-0002-2675-5335, Free University of Ireland, corresponding author) |
| Year | 2021 |
| Volume | 25 |
| Issue | 2 |
| Pages | 137-157 |
| Publication date | 2021-04-03 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Dix-Neuf (JOURNAL) |
| Journal identifiers | ISSN: 1478-7318 • E-ISSN: 1478-7342 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/14787318.2021.1926875 |
| OpenAlex | W3178380921 |
| Language | EN |
| Citations received | 1 |
| References cited | 15 |
This article focuses on the topic of minor intimacies or attachments in the work of Berthe Morisot (1841–95). By analysing three inter-connected areas in Morisot, namely the absorbed self, female friendship and the material history of painting, and by comparing the works studied with other well-known Impressionist paintings by Manet and Renoir, and how each area impacts upon spectatorship, this article shows the importance of intimacy as a critical tool with which to gain a more complete understanding of modern life and art in late nineteenth-century France
Art · Friendship · Humanities · Decadence, Literature, and Society · French Literature and Poetry · Literature and Culture Studies · Psychology · Social Psychology
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2023 - 2023 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |