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Cosmopolitanism as Political Practice in George Sand and Pauline Viardot-Garcia

Bibliographic Data

ID21728622
AuthorsAlexandra K Wettlaufer (The University of Texas at Austin, corresponding author), Alexandra Wettlaufer (Department of French and Italian/Program in Comparative Literature, University of Texas at Austin, Austin, TX, USA)
Year2021
Volume25
Issue3-4
Pages300-318
Publication date2021-10-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueDix-Neuf (JOURNAL)
Journal identifiersISSN: 1478-7318 • E-ISSN: 1478-7342
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14787318.2021.2017563
OpenAlexW4206469062
LanguageEN
References cited22

Cosmopolitanism has been the subject of considerable recent academic inquiry, but the frequently vexed concept has never attracted much interest, to date, in French studies. Yet a cosmopolitan ethos is central to women's cultural production in nineteenth-century France and provides a valuable lens through which to consider networks of meaning and collaborative conversations across the boundaries of nations/languages/cultures. I read George Sand's Consuelo (1842-43) and the career of mezzo-soprano Pauline Viardot-Garcia (1821-1910), to whom the novel was dedicated, as interdependent expressions of women's cosmopolitanism marked by a shared vision of cross-cultural engagement with the politics of difference, mobility, and identity

Aesthetics · Art · Art history · Cosmopolitanism · Epistemology · Ethos · Garcia · Humanities · Political science · Politics · Sociology · Anthropology · French Literature and Poetry · Gender Studies · History · Law · Literature and Culture Studies · Philosophy · Travel Writing and Literature

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Citation velocityhistorical
Highly citedNo

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