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BreadTube Rising

How Modern Creators Use Cultural Formats to Spread Countercultural Ideology

Bibliographic Data

ID21728928
AuthorsJJ Sylvia (Fitchburg State University), Kyle Moody (0009-0007-0139-0855, Purdue University West Lafayette)
Year2022
Volume24
Issue1
Publication date2022-08-15
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCLCWeb Comparative Literature and Culture (JOURNAL)
Journal identifiersISSN: 1481-4374 • E-ISSN: 1481-4374
PublisherPurdue University (bepress) (PUBLISHER)
DOI10.7771/1481-4374.4291
OpenAlexW4292320046
LanguageEN
Citations received3
References cited10

In their article, “BreadTube Rising: How Modern Creators Use Cultural Formats to Spread Countercultural Ideology,” J.J. Sylvia IV and Kyle Moody analyze the rise of BreadTube. Scholars have argued that YouTube’s algorithms lead to greater radicalization (Ribeiro et al.) and bad actors have weaponized algorithms to draw users into conspiracies (boyd, What Hath We Wrought?). This article adds to this by linking these practices to the commodification of social media that spread misinformation as adaptations of socially and rhetorically mediated technologies. It analyzes how the economics of YouTube and other platforms demand that user-generated content fit within paradigms of culture and economics. This ideological connection between conspiratorial thinking and economic incentives produced leftist and Marxist counter-narratives. The authors argue that the rise of BreadTube (Kuznetsov and Ismangil; Maddox and Creech) addresses this radicalization by re-deploying the mass-education model using the tenets of capitalism via normalized practices of YouTube algorithms to create pro-socialist and anti-right-wing content

Art · Capitalism · Comics · Commodification · Economics · Economy · Ideology · Incentive · Left-wing politics · Literature · Marxist philosophy · Media studies · Narrative · Political economy · Political science · Politics · Radicalization · Social science · Sociology · Terrorism · Law · Misinformation and Its Impacts

  • From Microfascism to Joyful Affects

    Open Access•J J Sylvia•Journal of Posthumanism•2024

  • Struggling with platforms

    Open Access•Issaaf Karhawi, Rafael Grohmann•International Journal of Cultural…•2024

  • A Post-Work Approach to Influencer Labor

    Open Access•R Wood•Social Media + Society•2025

  • Associations between Covid-19 related media consumption and symptoms of anxiety, depression and Covid-19 related fear in the general population in Germany

    Open Access•Antonia Bendau, Moritz Bruno Petzold et al.•European Archives of Psychiatry…•2021

  • “Others are more vulnerable to fake news than I Am”

    Open Access•Jeongwon Yang, Yu Tian•Computers in Human Behavior•2021

  • YouTube as Praxis? On BreadTube and the Digital Propagation of Socialist Thought

    Open Access•Dmitry Kuznetsov, Milan Ismangil•tripleC Communication Capitalism…•2020

  • Convergence Culture

    H Jenkins, Adolfo Plasencia•Is the universe a hologram?•2017

  • Cyberwar

    Open Access•Michael W Traugott, Michael Traugott•Public Opinion Quarterly•2019

  • Interrogating LeftTube

    Open Access•Jessica Maddox, Brian Creech•Television & New Media•2020

  • The politics of subversion

    Antonio Negri•The politics of subversion•1989

  • Autonomist Marxism and the Information Society

    Open Access•Nick Witheford•Capital & Class•1994

  • The Production of Culture Perspective

    R A Peterson, N Anand•Annual Review of Sociology•2004

Unique citing works3
Citations per year1,5
Citation span2024 - 2025 (2)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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