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Arugba

Superwoman, Power and Agency

Bibliographic Data

ID2173107
AuthorsRotimi Fasan (0000-0003-2016-9033, Osun State University, corresponding author)
Year2016
Volume28
Issue3
Pages283-291
Publication date2016-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of African Cultural Studies (JOURNAL)
Journal identifiersISSN: 1369-6815 • E-ISSN: 1469-9346
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13696815.2016.1163254
OpenAlexW2340972012
LanguageEN
Citations received5
References cited4

Based on field studies conducted during two attendances at the Osun Osogbo festival, on 24 August 2012 and 21 August 2015, and a close reading of Arugba (2008), a Yorùbá video-film celebrating Osun and her votive supplicant Arugba, I demonstrate how Nigerian filmmaker Tunde Kelani represents Arugba as a direct medium of the spirits, communicant of the spiritual world and, therefore, possessor of Osun’s magical powers. Arugba, in this video-film, is not only conceived as a warrior-defender of the weak and vulnerable, an accomplished artist, a passionate and faithful lover, but she also represents a vision of a Nigeria, even Africa, in transition from a corrupt, male-dominated past to futures of transparency in public and private endeavours. She is thus a weaponized symbol of female power, independence and leadership in a society in dire need of physical and spiritual revival, cleansing and renewal

Agency (philosophy · Art · Film director · Independence (probability theory · Media studies · Political science · Power (physics · Social science · Sociology · Symbol (formal · Transparency (behavior · Visual arts · African history and culture studies · History · Law · Philosophy · Postcolonial and Cultural Literary Studies

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Unique citing works5
Citations per year0,5
Citation span2016 - 2022 (7)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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