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What Happens When a Music Video Goes Viral? Gastrocomedy and Prosumer Recreations of Timaya'sI Can't Kill Myself

Bibliographic Data

ID2173244
AuthorsFemi Eromosele (0000-0003-4106-9779, University of Pretoria)
Year2021
Volume33
Issue4
Pages424-440
Publication date2021-10-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of African Cultural Studies (JOURNAL)
Journal identifiersISSN: 1369-6815 • E-ISSN: 1469-9346
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13696815.2020.1756756
OpenAlexW3035626337
LanguageEN
Citations received6
References cited17

This article analyses the circulation of Timaya’s 2019 music video I Can’t Kill Myself as a means of contemplating contemporary media consumption in Nigeria. Beginning with the premise that media forms are best understood as taking part in a complex web of interactive relationships, the article examines the form, content, and relevance of short videos uploaded on YouTube in response to Timaya’s work. The videos provide a means of charting audience engagement with the diverse kinds of audio and visual materials vying for attention in a milieu characterised by sped-up access to means of audio-visual production and dissemination. By tracking such productions, we are able to grasp the socio-political issues that constitute predominant concerns for the prosumers and their target audience, such as the increasing unaffordability of certain food items in the country. Also, the comic representation of food and eating featured in the videos enables us to contemplate the cohesive capacity of humour

Advertising · Art · Comic strip · Comics · Consumption (sociology · Literature · Media consumption · Media studies · Multimedia · Premise · Social science · Sociology · Visual arts · Computer Science · Culinary Culture and Tourism · Media, Gender, and Advertising · Music History and Culture

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    Open Access•Glaucimara Pires Oliveira, Ana Paula Couto Da Silva et al.•Revista Vórtex•2025

  • Making Hip-Hop Music Videos in Accra

    Nii Kotei Nikoi•Howard Journal of Communications•2025

  • Empowered, almost

    Open Access•Grace Adeniyi-Ogunyankin•Urban Geography•2024

  • They like using girls like me, light skin girls”

    Open Access•Nii Kotei Nikoi•Media Culture & Society•2026

  • Understanding amapiano and the South African city through the music videos of Big Flexa and Bhebha

    Open Access•Albert Olatunde Oloruntoba•Social Dynamics•2025

  • Johnny Just Come

    Open Access•Femi Eromosele•Social Dynamics•2025

  • Unruly Media

    Carol Vernallis•Unruly Media•2013

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  • Cooking, Cuisine and Class

    Open Access•Jack Goody•Cooking, Cuisine and Class•1982

  • State of Travesty

    Ebenezer Obadare•Critical African Studies•2010

  • Users like you? Theorizing agency in user-generated content

    Open Access•José Van Dijck•Media Culture & Society•2008

  • Prosumption

    Open Access•George Ritzer•Journal of Consumer Culture•2013

  • The Uses of Ridicule

    Open Access•Ebenezer Obadare•African Affairs•2009

  • Eat pig and become a beast

    Ojwang, Ojwang Ojwang•Research in African Literatures•2011

  • The Coming of Age of the Prosumer

    Open Access•George Ritzer, Paul Dean et al.•American Behavioral Scientist•2012

  • Food, self and identity

    Open Access•Claude Fischler•Social Science Information•1988

  • Gastro-politics in Hindu South Asia

    Open Access•A Appadurai•American Ethnologist•1981

  • Akposdoncome again

    James Yékú•Journal of African Cultural Studies•2016

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    Open Access•A Appadurai•Comparative Studies in Society…•1988

Unique citing works6
Citations per year3
Citation span2024 - 2026 (3)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 6

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