Imaginações geográficas e a descentralização da figura humana nas paisagens do cinema contemporâneo
Bibliographic Data
| ID | 21732659 |
|---|---|
| Authors | Bruno Mesquita Malta de Alencar (Universidade Federal de Pernambuco), Cesar De Siqueira Castanha (0000-0003-0042-5220, Universidade Federal de Pernambuco) |
| Year | 2024 |
| Volume | 51 |
| Pages | 1-20 |
| Publication date | 2024-08-09 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Significação Revista de Cultura Audiovisual (JOURNAL) |
| Journal identifiers | ISSN: 1516-4330 • E-ISSN: 2316-7114 |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/issn.2316-7114.sig.2024.221016 |
| OpenAlex | W4401538254 |
| Language | PT |
| References cited | 3 |
This study seeks to acknowledge the forms of destabilization of the geographic space and the decentralization of the human figure in the landscapes of contemporary cinema. This study focuses on the films Meek’s cutoff (2010) by Kelly Reichardt, Jauja (2014) by Lisandro Alonso, and Il buco (2021) by Michelangelo Frammartino, representatives of a spatial reiteration that crosses contemporary cinema. First, we focus on the concept of “geographical imaginations” by Ângela Prysthon. Then, we address the concept of the figure by the theory of image and with how some ways to address this figuration can lead to a decentralization of the human in relation to space
Art · Art history · Decentralization · Humanities · Movie theater · Political science · Sociology · Computer Science · Cultural, Media, and Literary Studies · Philosophy · Urban Development and Societal Issues
| Highly cited | No |
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