Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Re-membering the Postcolonial Musical Audience with Indigenous Soundscapes

Mbeyu NjijaMusic-Video Documentary in Tanzania

Bibliographic Data

ID2173303
AuthorsKaghondi Wamwa Mwanga (0000-0003-4746-0728, Department of Music, Tumaini University Makumira, Arusha, Tanzania)
Year2022
Volume34
Issue1
Pages80-97
Publication date2022-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of African Cultural Studies (JOURNAL)
Journal identifiersISSN: 1369-6815 • E-ISSN: 1469-9346
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13696815.2021.1963217
OpenAlexW3203114123
LanguageEN
Citations received1
References cited23

There is a direct link between the Church musical audience and displaced indigenous music traditions in Tanzanian university programmes. Currently, many students admitted to tertiary institution music programmes come from a Church-based music background and hence their attitudes are governed by the colonial mentality that indigenous music is “heathen” and “evil”. Their views are reinforced by the Eurocentric curriculum that still perpetuates anti-indigenous music methods. As a result students are uprooted from their indigenous musical material and heritage. Curricula in Tanzania need to disrupt, repair, and transform the persistence of churchly neurophysiological sonic perceptions in the community. Furthermore, the curricula need to combat the impact of colonialism and globalisation that have continued to remain separate from indigenous knowledge. Mbeyu Njija is an indigenous music documentary that provides an example of what such a new curricula could include. The documentary attempts to “re-member” Tanzanian audiences with their lost selves by bringing them back in contact with fading memories of indigenous soundscapes. The article's argument is that indigenous music in formal institutions in Tanzania must begin by repairing the audience’s sonic imbalances and perceptions

Art · Colonialism · Curriculum · Ethnology · Indigenous · Media studies · Musical · Pedagogy · Political science · Sociology · Soundscape · Tanzania · The arts · Visual arts · African studies and sociopolitical issues · Anthropological Studies and Insights · Music History and Culture · History · Law

  • On decolonising music diversity in/and higher education

    Kaghondi Wamwa Mwanga•Music Education Research•2025

  • Comment on Halo Effects in Rating and Evaluation Research

    Open Access•Thomas Hugh Feeley•Human Communication Research•2002

  • Dialogues of Memory, Heritage and Transformation

    Open Access•Muchativugwa Liberty Hove, Muchativugwa Hove•Journal of Literary Studies•2016

  • Stages of Colonialism in Africa

    Open Access•Hussein Abdilahi Bulhan•Journal of Social and Political…•2015

  • African Musicology

    Open Access•Madimabe Geoff Mapaya•The Anthropologist•2014

  • Coloniality of Knowledge and the Challenge of Creating African Futures

    Morgan Ndlovu•Ufahamu A Journal of African…•2018

  • Colonial Policies and Administrations in Africa

    M Semakula Kiwanuka•Colonial Epoch in Africa•2018

  • Geopolitics of sensing and knowing

    Open Access•Walter D Mignolo, Walter Mignolo•Confero Essays on Education…•2013

  • Taking into account African Philosophy

    Yusef Waghid, Paul Smeyers•Educational Philosophy and Theory•2011

  • The Africanization of Missionary Christianity

    Steven A Kaplan, Steven Kaplan•Journal of Religion in Africa•1986

  • Some Nuer Notions of Nakedness, Nudity, and Sexuality

    Open Access•T O Beidelman•Africa•1968

  • Indigenization as inclusion, reconciliation, and decolonization

    Open Access•Adam Gaudry, Danielle Lorenz•AlterNative An International…•2018

  • The practice and politics of hybrid soundscapes inMuziki wa Injiliin Dar es Salaam, Tanzania

    Imani Sanga•Journal of African Cultural Studies•2010

  • Coloniality and Modernity/Rationality

    Aníbal Quijano•Cultural Studies•2007

Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

Tools

Open DOI
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae