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Bordados Em Marília E Dirceu

Linhas De Amor E De Referência Intermidiática

Bibliographic Data

ID21734674
AuthorsErika Viviane Costa Vieira (0000-0003-3082-8805, Universidade Federal dos Vales do Jequitinhonha e Mucuri, corresponding author)
Year2020
Volume19
Issue1
Pages181-196
Publication date2020-07-26
Open AccessYes
TypeARTICLE
VenueRevista VIS Revista do Programa de Pós-Graduação em Arte (JOURNAL)
Journal identifiersISSN: 1518-5494 • E-ISSN: 2447-2484
PublisherBiblioteca Central da UNB (PUBLISHER)
DOI10.26512/vis.v19i1.32585
OpenAlexW3045726190
LanguagePT
References cited2

This article is concerned with the intermedial relationship among an embroidered piece attributed to Maria Doroteia, the embroidered dress of the cover art by Julia Panadés, the poetry of Tomás Antônio Gonzaga, and the poetic prose of Ruth Silviano Brandão. Therefore, the objective is to point out the relationship between paratextual elements, according to Gérard Genette (2009), and the interplay between the textile text of Maria Doroteia's embroidery and Brandão's poetic-prose, based on Irina Rajewsky (2012) intermedial references

Art · Art history · Geometry · Humanities · Literature · Poetry · Cultural, Media, and Literary Studies · Engineering · Mathematics · Public Spaces through Art · Urban and sociocultural dynamics

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Highly citedNo

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