Sob um céu dourado
Utopia e arte medieval
Bibliographic Data
| ID | 21734676 |
|---|---|
| Authors | Gustavo Lopes De Souza (0000-0001-7920-9357, Universidade de Brasília, corresponding author) |
| Year | 2020 |
| Volume | 18 |
| Issue | 2 |
| Pages | 76-86 |
| Publication date | 2020-01-17 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista VIS Revista do Programa de Pós-Graduação em Arte (JOURNAL) |
| Journal identifiers | ISSN: 1518-5494 • E-ISSN: 2447-2484 |
| Publisher | Biblioteca Central da UNB (PUBLISHER) |
| DOI | 10.26512/vis.v18i2.27418 |
| OpenAlex | W3029149989 |
| Language | PT |
At the beginning of 19th century, Novalis urged his contemporaries to build a utopian Europe ”“ politically harmonious, spiritually renewed and artistically creative ”“ by means of a return to the Middle Ages. This medievalizing utopianism assumed, at the end of the 19th century, a socialist and a proto-environmentalist character in the writings of William Morris, which, in turn, would decisively influence British fantasy literature in the first half of the 20th century. Within this literature the medieval utopia took a refuge. In all these cases, the visual arts where mobilized to give tangibility to the proposed utopias, whose relations with medieval art will be discussed here
Ancient history · Art · Art history · Fantasy · Literature · Middle Ages · Political science · Politics · The arts · Utopia · Visual arts · Art, Politics, and Modernism · Arts and Performance Studies · History · Law · Literature, Culture, and Criticism
| Highly cited | No |
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