Aesthetic Hybridity
Combination of Text and Image in O Mez Da Grippe, by Valêncio Xavier
Bibliographic Data
| ID | 21734690 |
|---|---|
| Authors | Paulo Sandrini (Centro Universitário Campos de Andrade), B T Reichmann (0000-0002-4680-7462, Centro Universitário Campos de Andrade) |
| Year | 2020 |
| Volume | 19 |
| Issue | 1 |
| Pages | 70-92 |
| Publication date | 2020-07-26 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista VIS Revista do Programa de Pós-Graduação em Arte (JOURNAL) |
| Journal identifiers | ISSN: 1518-5494 • E-ISSN: 2447-2484 |
| Publisher | Biblioteca Central da UNB (PUBLISHER) |
| DOI | 10.26512/vis.v19i1.32593 |
| OpenAlex | W3045575511 |
| Language | EN |
| References cited | 3 |
This article discusses two aspects of O Mez da Grippe, by the Brazilian writer Valêncio Xavier: the graphic composition and the generation of meanings through historical references in the work. In the first part, using Gérard Genette's concept of paratextuality, we analyze some graphic characteristics of the text that enclose Dona Lúcia’s narrative, a (fictional?) survivor of the Spanish flu. In the second, we seek to demonstrate, in the light of Wolfgang Iser’s concepts of empty spaces or points of indeterminacy, implicit reader, and asymmetry between text and reader, how historical references can contribute to the reader's response
Art · Art history · Epistemology · Humanities · Hybridity · Linguistics · Literature · Narrative · History · Linguistics and Discourse Analysis · Linguistics and Language Studies · Philosophy · Semiotics and Representation Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |