A Litografia Como Campo De Força

This article investigates contemporary artistic practices with an emphasis on lithography and its relationship with the body, landscape, and sensitive experience. The research, process-based and qualitative in nature, adopts a walking methodology, grounded in autobiographical writings and everyday gestures, such as uprooting plants and walking along Praia do Fagundes in Porto Belo (SC), Brazil. These practices give rise to artistic procedures conceived within a field of force that vibrates along the horizon line, approached here as a metaphor for sensitive experience. Lithography is explored not merely as a technique, but as a space of vibration where matter and gesture intertwine, creating a sensitive vertigo of the intangible

Everyday life · Gesture · Metaphor · Arts and Performance Studies · Indigenous Studies in Latin America · Urban and sociocultural dynamics