Of Eggplant, Ham, and Identity
Bibliographic Data
| ID | 21739057 |
|---|---|
| Authors | Michael F Hammer (0000-0003-0172-429X, corresponding author), Michael Hammer (0000-0003-4560-9947) |
| Year | 2023 |
| Volume | 23 |
| Issue | 4 |
| Pages | 66-75 |
| Publication date | 2023-11-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Gastronomica The Journal of Food and Culture (JOURNAL) |
| Journal identifiers | ISSN: 1529-3262 • E-ISSN: 1533-8622 |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/gfc.2023.23.4.66 |
| OpenAlex | W4389523607 |
| Language | EN |
| References cited | 4 |
In his much-anthologized “Tres cosas me tienen preso,” the Spanish poet Baltasar del Alcázar (1530–1606) compares a dish of ham, eggplant, and cheese to the beautiful Inés, and finds her wanting. While the poem can be read as a comic conflation of sex and food as dueling human appetites, here I suggest that the cultural connotations of ham (a quintessential Christian marker in Renaissance Spain), eggplant (a food strongly associated with the Muslim and Jewish “other”), and to a lesser extent cheese reveal the poet’s own cultural anxieties and represent an attempt to resolve them
Aesthetics · Art · Art history · Comics · Conflation · Judaism · Linguistics · Literature · Poetry · The Renaissance · Theology · Culinary Culture and Tourism · Philosophy
| Highly cited | No |
|---|