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The Human Pared Away

Hilary Mantel’s Thomas Cromwell as an Archetype of Legal Pragmatism

Bibliographic Data

ID21740502
AuthorsDavid Kenny (0000-0003-3440-1470, Corvinus University of Budapest, corresponding author)
Year2020
Pages1-31
Publication date2020-08-21
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueLaw & Literature (JOURNAL)
Journal identifiersISSN: 1535-685X • E-ISSN: 1541-2601
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/1535685x.2020.1804223
OpenAlexW3081292504
LanguageEN

Hilary Mantel's Wolf Hall trilogy are iconic pieces of literature, but also represent a hugely insightful commentary on the law. Her protagonist, Thomas Cromwell, is the archetype of a philosophical legal pragmatist: willing to use the law and its language to achieve his ends, but regarding adherence to any principled or abstract account of the law as misleading and even dangerous. With striking parallels to the pragmatist philosophy of William James, Richard Rorty, Richard Posner and others, Mantel's Cromwell illustrates both the promise of legal pragmatism—its ability to get results without false compunction about means—but also its dangers: that one may pick the wrong prince, or make flawed or base calculations on how to act. The Wolf Hall trilogy shows this in a manner far more clear and far more vivid than any purely philosophical accounts, and capture something deep about the theory and practice of law. As such, their commentary on the law, authority and governance deserves our close attention

Archetype · Art history · Epistemology · Parallels · Political science · Pragmatism · Sociology · Theology · Trilogy · History · Law · Law in Society and Culture · Legal Education and Practice Innovations · Multicultural Socio-Legal Studies · Philosophy

Citation velocityhistorical
Highly citedNo

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