Muybridge and the Imperial Pacific
Fashioning Histories of Empire and the Coffee State, 1867-1876
Bibliographic Data
| ID | 2174294 |
|---|---|
| Authors | Jason Ahlenius (New York University, corresponding author) |
| Year | 2024 |
| Volume | 26 |
| Issue | 8 |
| Pages | 1267-1294 |
| Publication date | 2024-11-16 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Interventions (JOURNAL) |
| Journal identifiers | ISSN: 1369-801X • E-ISSN: 1469-929X |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/1369801x.2023.2288095 |
| OpenAlex | W4389572924 |
| Language | EN |
| Citations received | 1 |
| References cited | 28 |
This essay discusses both the continuities and discontinuities in Eadweard Muybridge’s survey photography of the western United States and the Pacific Coast of Central America and Mexico in relation to histories of empire and capital expansion. Muybridge’s photographic career followed the frontiers of US empire and capital across the Pacific Rim, and his work tended to reflect those perspectives by naturalizing the temporalities of global capital and US empire, even as it foreclosed alternate subaltern histories. Photography’s role was not passive: it participated with steam power in the integration of these regions by reimagining the disparate spaces it depicted as interconnected by the infrastructure lain by the federal government and global markets. Yet photography’s role also varied as Muybridge moved from the settler colonial context of California to societies like Guatemala with deep colonial roots. During the Liberal reforms of Justo Rufino Barrios, Muybridge’s album refashions Guatemala as a modernizing “coffee state” on the frontier of civilization. Analyzing Muybridge’s photographs alongside state archives that managed these reforms reveals how the creation of the coffee state was both a material and contested cultural production that repressed Indigenous histories of struggle, dispossession, and forced labor by representing the land and people within global currents of commodification and the photographic exhibition of Indigenous persons
Archaeology · Art · Colonialism · Commodification · Economic history · Economy · Empire · Ethnology · Humanities · Indigenous · Political science · Politics · Sociology · Subaltern · Temporalities · Asian American and Pacific Histories · Colonialism, slavery, and trade · Historical Studies and Socio-cultural Analysis · History · Law
The Global Coffee Economy in Africa, Asia, and Latin America, 1500–1989
Spectacular Realities
Vision, Race, and Modernity
Sensation’s Imperial Narratives
Photography’s Other Histories
Making the Empire Work
Empire's Tracks
The Blood of Guatemala
Black Reconstruction in America
Eadweard Muybridge in Guatemala, 1875
Photographing Mata‘afa Iosefo
The Canal Builders
Print the Legend
Mind's Eye, Mind's Truth
Americans in the Treasure House
The Body and the Archive
Coffee and Peasants
Can the Subaltern Be Seen? Photography and the Affects of Nationalism
The Shadow of Slavery
A Camera in the Garden of Eden
Capital Fictions
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2025 - 2025 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |