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Night and Day

A Visual Diptych of Hate and Horror in Charlottesville

Bibliographic Data

ID21747671
AuthorsSusan Keith (0000-0002-3382-4060, Rutgers, the State University of New Jersey), Leslie-Jean Thornton (0000-0003-2689-480X)
Year2021
Volume28
Issue1
Pages45-57
Publication date2021-01-02
Open AccessNo
TypeARTICLE
VenueVisual Communication Quarterly (JOURNAL)
Journal identifiersISSN: 1555-1393 • E-ISSN: 1555-1407
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/15551393.2020.1862664
OpenAlexW3135361807
LanguageEN
References cited26

This article critically analyzes a pair of photographs from the Unite the Right rally in Charlottesville, Virginia, in August 2017: Samuel Corum’s nighttime image of torch-bearing protesters on the University of Virginia campus and Ryan Kelly’s Pulitzer Prize-winning daytime image of counterprotesters falling through the air as James A. Fields Jr. rammed his car into them, killing Heather Heyer. Using a close reading of the images as texts—considering their production, contrasts, and resonances—we argue that the photographs form a temporal, technical, and theoretical diptych of anger, hate, fear, confusion, and sorrow

Anger · Art · Art history · Confusion · Linguistics · Literature · Psychoanalysis · Sociology · Sorrow · Visual arts · History · Participatory Visual Research Methods · Philosophy · Photography and Visual Culture · Psychology · Social Psychology · Visual Culture and Art Theory

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Highly citedNo

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