Commentary on Gilad Rabinovitch's "Unplayed Galant Melodies, the Ubiquity of the Rarest Interval, and the Heyday of the Major Mode."
Bibliographic Data
| ID | 21749019 |
|---|---|
| Authors | David Clampitt (0000-0001-5218-7186, The Ohio State University, corresponding author) |
| Year | 2020 |
| Volume | 14 |
| Issue | 3-4 |
| Pages | 135-137 |
| Publication date | 2020-07-06 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Empirical Musicology Review (JOURNAL) |
| Journal identifiers | ISSN: 1559-5749 • E-ISSN: 1559-5749 |
| Publisher | The Ohio State University Libraries (PUBLISHER • US) |
| DOI | 10.18061/emr.v14i3-4.7571 |
| OpenAlex | W3038310801 |
| Language | EN |
| References cited | 3 |
This is a commentary accompanying Rabinovitch (2019), situating the research within some previous work on scale theory
Art · Combinatorics · Human–computer interaction · Literature · Melody · Musical · Communication · Computer Science · Folklore, Mythology, and Literature Studies · Mathematics · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |