Fair for whom? Commentary on Hofmann et al. (2021)
Bibliographic Data
| ID | 21749124 |
|---|---|
| Authors | M Stefan (University of Basel, corresponding author), Stefan Münnich (0000-0002-0744-5374) |
| Year | 2021 |
| Volume | 16 |
| Issue | 1 |
| Pages | 151-153 |
| Publication date | 2021-12-10 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Empirical Musicology Review (JOURNAL) |
| Journal identifiers | ISSN: 1559-5749 • E-ISSN: 1559-5749 |
| Publisher | The Ohio State University Libraries (PUBLISHER • US) |
| DOI | 10.18061/emr.v16i1.8154 |
| OpenAlex | W4200284425 |
| Language | EN |
| References cited | 4 |
In this commentary on Hofmann et al. (2021), the notion of ethnomusicology and some of its underlying biases are questioned and reflected in the light of applying FAIR data principles to musicological research data from outside a Western canon and its musical practices
Art · Ethnomusicology · Literature · Musical · Sociology · Diverse Musicological Studies · Music and Audio Processing · Music Technology and Sound Studies · Philosophy
Semantics derived automatically from language corpora contain human-like biases
The Fair Guiding Principles for scientific data management and stewardship
Enabling Fair use of Ethnomusicology Data – Through Distributed Repositories, Linked Data and Music Information Retrieval
The Two Western Cultures of Privacy
| Citation velocity | historical |
|---|---|
| Highly cited | No |