Mit diesem Hinweis wird auch ein Licht geworfen auf alles weitere Fragen nach einem „Woher“ ‘
Evidenz und Ursprungswissen bei Hanns Hörbiger und Rudolf Steiner
Bibliographic Data
| ID | 21750436 |
|---|---|
| Authors | Maximilian Herford (Ludwig-Maximilians-Universität München, corresponding author) |
| Year | 2020 |
| Volume | 20 |
| Issue | 2 |
| Pages | 240-272 |
| Publication date | 2020-07-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Aries (JOURNAL) |
| Journal identifiers | ISSN: 1567-9896 • E-ISSN: 1570-0593 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/15700593-02002003 |
| OpenAlex | W3039350508 |
| Language | DE |
| References cited | 5 |
Arriving from recent research on western esotericism and worldview literature around 1900 this article investigates the poetics of German fin-de-siècle cosmogonic discourse by reading Hanns Hörbigers so-called "Welteislehre" or Glazial-Kosmogonie (1912) and Rudolf Steiners "spiritual-scientific" writings, most of all his Akasha-Chronik (1904/08) and Geheimwissenschaft (1910). In focusing predominantly on the specific rhetorical and representational strategies involved in propagating and transmitting a knowledge of the universe and its respective origins, it can be seen that these projects not only both mask and reflexively embrace their epistemological limitations but also devote extensive effort to various textual and performative acts of beginning
Art · History of religions · Theology · German Literature and Culture Studies · Nietzsche, Schopenhauer, and Hegel · Philosophy · Religious Studies and Spiritual Practices
| Citation velocity | historical |
|---|---|
| Highly cited | No |