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‘He thinks he is inspired, and he is mad’

Superstition, Fanaticism, and Deceitful Folly in Catherine II’s Comedy The Siberian Shaman

Bibliographic Data

ID21750520
AuthorsPiotr Sobkowiak (0000-0002-7536-9684, University of Bern, corresponding author)
Year2023
Volume24
Issue1
Pages90-133
Publication date2023-06-22
Open AccessNo
TypeARTICLE
VenueAries (JOURNAL)
Journal identifiersISSN: 1567-9896 • E-ISSN: 1570-0593
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/15700593-tat00003
OpenAlexW4381739317
LanguageEN
Citations received1
References cited7

During the last decades of the eighteenth century, knowledge about Siberia inspired Catherine II to create the main character of one of her comedies, The Siberian Shaman . Taking Foucault’s dispositif -concept as its theoretical premise, the present paper discusses the historical context in which The Siberian Shaman was written, deconstructs the identity of the comedy’s main character, and explores the socio-political purposes for which the comedy was written. By utilising the perspective of entangled history of religions and the methodology of historical discourse analysis, this paper shows that the comedy’s alleged “shamanic” content and “anti-shamanic” purpose cannot be taken for granted. Rather, the discourse in The Siberian Shaman should be read as Catherine II ’s own engagement with the themes of unreason and madness within the philosophical, socio-political and religious context of the period

Aesthetics · Art · Comedy · Epistemology · History of religions · Intellectual history · Literature · Political science · Politics · Premise · Shamanism · Sociology · Visual arts · Folklore, Mythology, and Literature Studies · History · Law · Philippine History and Culture · Philosophy · Religious studies · Religious Studies and Spiritual Practices

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Citations per year1
Citation span2026 - 2026 (1)
Highly citedNo

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