Venise des deux côtés du miroir
Imaginaire et identité entre l’amour et la mort
Bibliographic Data
| ID | 21754332 |
|---|---|
| Authors | Valéria Cristina Pereira Da Silva (0000-0002-3895-4059, corresponding author) |
| Year | 2021 |
| Volume | 40 |
| Pages | 269-283 |
| Publication date | 2021-06-28 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Caietele Echinox (JOURNAL) |
| Journal identifiers | ISSN: 1582-960X |
| Publisher | Babes-Bolyai University Cluj-Napoca (PUBLISHER) |
| DOI | 10.24193/cechinox.2021.40.21 |
| OpenAlex | W4210334746 |
| Language | FR |
"Venice, deeply imaginary and symbolic, is in various cultural documents, like books, paintings, cinema, music, photography and other arts. In this research, we use the literary and the poetic narrative as privileged sources for understanding the imaginary and the identity of this city, closely connected with love and with death too. This investigation uses as a method Gaston Bachelard’s phenomenology defined in The Poetics of Space and the symbolical imaginary described in relation to the material imagination in Water and Dreams. Venice is a city on water and its identity is closely associated with love, as one mirror side, and with death or even hell, as the other mirror side."
Aesthetics · Art · Art history · Humanities · Literature · Narrative · Painting · Poetics · Poetry · Psychoanalysis · The arts · The Imaginary · Visual arts · French Literature and Critical Theory · Historical and Literary Analyses · Philosophy · Psychology
| Highly cited | No |
|---|