Dystopias and Allegories about Communist Romania

This study outlines a typology of dystopias and narrative allegories about Communist Romania, discussing three famous novels: The Black Church by A. E. Baconsky, The Second Messenger by Bujor Nedelcovici, and Farewell, Europe! by Ion D. Sîrbu. The three novels were prohibited from being published during the Communist regime of Nicolae Ceaușescu and became drawer manuscripts, seeing the light of print only after the fall of Communism, in 1990, 1991, and 1992-1993. Baconsky’s novel circulated in samizdat (between 1976-1977) and was made into a series by the Munich-based Radio Free Europe, which broadcast clandestinely inside Romania. Nedelcovici’s novel was translated into French in 1985, and was very successful. In Romanian literature, Ion D. Sîrbu’s novel is considered the most important “drawer” work. All three novels, as dystopias, allegories and parables, focus on three recurrent topics: the world of oppressors, the world of victims and the method of brainwashing

Aesthetics · Art · Communism · Dystopia · Literature · Political science · Politics · Eastern European Communism and Reforms · Law · Post-Communist Economic and Political Transition · Soviet and Russian History